Osman Yousefzada at Charleston in Firle

Alternative Spaces: Li Yuan-chia & Friends at Kettle's Yard

Infinite Viewpoints: Gego at the Guggenheim Bilbao

You will follow the Rhein and compose play: Temitayo Ogunbiyi at Museum Tinguely

IN CASE OF EMERGENCY: Koestler Arts at Southbank Centre

Small and Mighty: South Asian Miniature Painting and Britain, 1600 to Now at MK Gallery

‘Not to be exhibited but experienced’: Hélio Oiticica at the De La Warr Pavilion

Intangible Englishness: Eric Ravilious in Sussex

Long Read: Lisetta Carmi's career-spanning interest in identities

Last chance to see: Evelyn Hofer at The Photographers' Gallery

Reclaiming Visual Culture: BLACK VENUS at Somerset House

Edinburgh Art Festival's reckoning with the city's colonial legacies

Dovecot Studios' history of women artists in Scotland

Crivelli's Garden: Paula Rego storms The National Gallery

Praxitella: Wyndham Lewis, Iris Barry and Helen Saunders at Leeds Art Gallery

Postwar Modernism: Egon Altdorf at The Henry Moore Institute

‘Like people, each one is different': Sculpture and ceramics exhibitions showing now

Modernism meets anti-colonialism at Christie's Kawkaba

Showing Now: Saatchi Gallery and White Cube's Dark Landscapes

The Royal Academy's Young Artists’ Summer Show

Creating and Curating Conversations in Oxford's Communities

Boundary Encounters: Modern Art Oxford's Architecture of the Present

WAVE: Currents in Japanese Graphic Arts at Japan House London

Textiles in Cambridge: Mediterranean Embroidery at Fitzwilliam Museum

Textiles in Cambridge: Palestinian Embroidery at Kettle's Yard

Growing Mindsets on Jean Cooke at the Garden Museum

A Clear Comfort: Food and Queer performance art at Van Gogh House London

Colour and Abstraction: Beatriz Milhazes at Margate's Turner Contemporary

A Perfect Match?: Chaïm Soutine meets Leon Kossoff

Heaven and Earth: Yun Hyong-keun at Hastings Gallery

The Bloomsbury Stud: Stephen Tomlin at Philip Mould & Company

Artist Interview: Kaye Donachie's 'Nuanced Personal Choreography'

Letters from Gwen John: Art and Life in London and Paris at Pallant House

Tokyo Stories and Beyond at The Ashmolean

Berthe Morisot: The Eighteenth Century Modernised?

The Rossettis Reframed at Tate Britain

Democratising Fashion? - Ashish: Fall in Love and Be More Tender

Japan’s environments: Natural, local, global, imperial

The women of Ukiyo-e

‘Official’ Japan: A guide to Japanese national museums

Aladdin Sane at 50

Making Sense: Ai Weiwei at The Design Museum

City and Sculpture

Visit Japan for free - from London

Rebecca Fortnum spotlights the overlooked women of sculpture in Les Praticiennes

A Triptych of Danish Modernism: Cobra and Degenerate Art in Denmark

The Van Gogh Family

Asian Art in the Netherlands

'Court painter of the underground': Alice Neel at Barbican

The Master of Still-Life: Giorgio Morandi at The Estorick Collection

Feeling Her Way: Sonia Boyce's 'noisy exhibition'

The Big Three: A Weekend in Paris

Picasso in Paris

'Foreign' in France: Curating Migration and Art

The revolutionary act of walking in the city

Barbara Chase-Riboud: Infinite Folds at Serpentine North Gallery

London Art Fair 2023: A More Accessible Art World?

Worlds Together, Poles Apart (Part Two): Magdalena Abakanowicz at Tate Modern

Worlds Together, Poles Apart (Part One): M.K. Čiurlionis at Dulwich Picture Gallery

High Tide: Luke Jerram's Museum of the Moon at The Old Royal Naval College

Finding Freud in London: Five Lucian Freud exhibitions showing now

Exhibition Review: Making Modernism at the Royal Academy

A Real Horror Show: The Creepy and Uncanny in the Capital

Surrealism meets Design in The Design Museum's Objects of Desire

Nalini Malani: My Reality is Different Review

Conversations on the Thames: Curation Around the River

Frieze 2022 Retrospective

Glimpses: We Are What We See, showing now at 347 Old Street

Still Showing: Young and Wild? - Art in 1980s Germany

Marina Abramović: Gates and Portals Review

Exhibition Review: A Taste for Impressionism at the Scottish National Gallery

Tracey Emin: I Lay Here For You Exhibition Review

Last Chance to See: Slaves of Fashion at Firstsite, Colchester