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Latest in the art world
Dressmaking meets painting in Tate Britain's Sargent and Fashion
29/02/2024
Alfie Portman
Reviews
Tate Britain
John Singer Sargent
Fashion
Seven Ideas for the Fourth Plinth: Choose your favourite at The National Gallery
28/02/2024
Rhea Mathur
Spotlight
London
Public Art
Chila Kumari Burman
When Forms Come Alive: Living and Growing Art at Hayward Gallery
22/02/2024
Rhea Mathur
To Do
Hayward Gallery
Sculpture
London
Artist Interview: Luke Hannam and The Power of the Popular Song
22/02/2024
Alfie Portman
Interviews
Luke Hannam
8 Holland Street
Music
Tate Modern’s Music of the Mind brilliantly reframes Yoko Ono
19/02/2024
Adam Wells
Reviews
Yoko Ono
Tate Modern
Conceptual Art
Has the British Museum lost its Marbles?
14/02/2024
Alfie Portman
Discussions
Parthenon Marbles
The British Museum
Destruction and Creation: Frank Auerbach’s Charcoal Heads at The Courtauld
13/02/2024
Rhea Mathur
Reviews
Frank Auerbach
The Courtauld Gallery
Portraiture
Fear, turmoil and pain: How art can be used to articulate complex human experiences
12/02/2024
Chioma Ince
Discussions
Mental Health
Activism
Colour and Curation: Recasting Canova at Crawford Gallery
08/02/2024
Aoife Allen
Discussions
Sculpture
Crawford Gallery
Art History
Experiments in Fragility: Two Temple Place's celebration of glass
07/02/2024
Susan Gray
Reviews
Two Temple Place
Glass
London
Deities and Idols: Ramesh Mario Nithiyendran at Tramway
06/02/2024
Jelena Sofronijevic
Reviews
Ramesh Mario Nithiyendran
Tramway
Ceramics
From Muse to Painter: Pasquarosa at Estorick Collection
05/02/2024
Susan Gray
Spotlight
Pasquarosa
Estorick Collection
Fauvism
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