Latest in the art world

Dressmaking meets painting in Tate Britain's Sargent and Fashion

29/02/2024
Alfie Portman
Reviews

Seven Ideas for the Fourth Plinth: Choose your favourite at The National Gallery

28/02/2024
Rhea Mathur
Spotlight

When Forms Come Alive: Living and Growing Art at Hayward Gallery

22/02/2024
Rhea Mathur
To Do

Artist Interview: Luke Hannam and The Power of the Popular Song

22/02/2024
Alfie Portman
Interviews

Tate Modern’s Music of the Mind brilliantly reframes Yoko Ono

19/02/2024
Adam Wells
Reviews

Has the British Museum lost its Marbles?

14/02/2024
Alfie Portman
Discussions

Destruction and Creation: Frank Auerbach’s Charcoal Heads at The Courtauld

13/02/2024
Rhea Mathur
Reviews

Fear, turmoil and pain: How art can be used to articulate complex human experiences

12/02/2024
Chioma Ince
Discussions

Colour and Curation: Recasting Canova at Crawford Gallery

08/02/2024
Aoife Allen
Discussions

Experiments in Fragility: Two Temple Place's celebration of glass

07/02/2024
Susan Gray
Reviews

Deities and Idols: Ramesh Mario Nithiyendran at Tramway

06/02/2024
Jelena Sofronijevic
Reviews

From Muse to Painter: Pasquarosa at Estorick Collection

05/02/2024
Susan Gray
Spotlight

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