Denis Villeneuve’s new film adaptation of Frank Herbert’s 1969 novel, Dune, and after which the title of this article pays homage to, is now out and a welcome sight for anyone’s pandemic-sore eyes. Like many films before it and, no doubt, many more to come, it’s a vision of how technology and art enmesh to fit mankind’s needs.
Art and Technology have been symbiotic since time immemorial, even if a lot of people don’t realise it. Technology is a facilitator in the Arts: if something can be conceived it can be created. On the flip side: the Arts serve as a conscious council and provocateur hybrid, challenging the direction of technology and holding it accountable. You know, if you combine the two, it’s actively been proven that cognitive ability in children goes up by an average of 17%. Such is the importance of this interplay.
In this spirit, we come to three interesting new exhibitions happening – or soon to happen – in London.
The first is Berlin-based artist, Rindon Johnson’s, for whom this will be his first solo UK exhibition at Chisenhale Gallery, titled Law of Large Numbers: Our Selves and opening on November 6th. Here Johnson uses technology to explore multifaceted ideas of identity and belonging by combining CGI and sculpture. An artist not by any means new in the art of combining tech and ‘traditional’ art and finding discourse in between the two.
Our second pit-stop is the already opened group exhibition at 180 Strand, Lux: New Wave of Contemporary Art, which is a collaboration between SUUM Project and Fact at 180 Studios. The cavernous, Brutalist warren of an exhibition space lends itself well to this material, letting the work take up the space it needs with the likes of Cecilia Bengolea; Cao Yuxi; Es Devlin; and Hito Steyerl on display.
Finally, and last but not least, for those who want to stay in the Metaverse and be participatory in protest at the same time, a Vienna’s tourism board is launching an OnlyFans account in frustration as a number of the historical city’s museums find themselves censored by our aforementioned social media behemoths. The account will be showing pieces by Egon Schiele, VALIE EXPORT, Amedeo Modigliani, and Peter Paul Rubens. The first subscribers to the new OnlyFans account will be the happy recipients of a Vienna City card or a gallery ticket.
Rindon Johnson is on at Chisenhale Gallery from the 6th November through to 6th February 2022. You can see the collective at 180 The Strand until 18th December, and Vienna’s OnlyFans account is already up and running and can be accessed at https://onlyfans.com/viennatouristboard.
Denis Villeneuve’s new film adaptation of Frank Herbert’s 1969 novel, Dune, and after which the title of this article pays homage to, is now out and a welcome sight for anyone’s pandemic-sore eyes. Like many films before it and, no doubt, many more to come, it’s a vision of how technology and art enmesh to fit mankind’s needs.
Art and Technology have been symbiotic since time immemorial, even if a lot of people don’t realise it. Technology is a facilitator in the Arts: if something can be conceived it can be created. On the flip side: the Arts serve as a conscious council and provocateur hybrid, challenging the direction of technology and holding it accountable. You know, if you combine the two, it’s actively been proven that cognitive ability in children goes up by an average of 17%. Such is the importance of this interplay.
In this spirit, we come to three interesting new exhibitions happening – or soon to happen – in London.
The first is Berlin-based artist, Rindon Johnson’s, for whom this will be his first solo UK exhibition at Chisenhale Gallery, titled Law of Large Numbers: Our Selves and opening on November 6th. Here Johnson uses technology to explore multifaceted ideas of identity and belonging by combining CGI and sculpture. An artist not by any means new in the art of combining tech and ‘traditional’ art and finding discourse in between the two.
Our second pit-stop is the already opened group exhibition at 180 Strand, Lux: New Wave of Contemporary Art, which is a collaboration between SUUM Project and Fact at 180 Studios. The cavernous, Brutalist warren of an exhibition space lends itself well to this material, letting the work take up the space it needs with the likes of Cecilia Bengolea; Cao Yuxi; Es Devlin; and Hito Steyerl on display.
Finally, and last but not least, for those who want to stay in the Metaverse and be participatory in protest at the same time, a Vienna’s tourism board is launching an OnlyFans account in frustration as a number of the historical city’s museums find themselves censored by our aforementioned social media behemoths. The account will be showing pieces by Egon Schiele, VALIE EXPORT, Amedeo Modigliani, and Peter Paul Rubens. The first subscribers to the new OnlyFans account will be the happy recipients of a Vienna City card or a gallery ticket.
Rindon Johnson is on at Chisenhale Gallery from the 6th November through to 6th February 2022. You can see the collective at 180 The Strand until 18th December, and Vienna’s OnlyFans account is already up and running and can be accessed at https://onlyfans.com/viennatouristboard.
Denis Villeneuve’s new film adaptation of Frank Herbert’s 1969 novel, Dune, and after which the title of this article pays homage to, is now out and a welcome sight for anyone’s pandemic-sore eyes. Like many films before it and, no doubt, many more to come, it’s a vision of how technology and art enmesh to fit mankind’s needs.
Art and Technology have been symbiotic since time immemorial, even if a lot of people don’t realise it. Technology is a facilitator in the Arts: if something can be conceived it can be created. On the flip side: the Arts serve as a conscious council and provocateur hybrid, challenging the direction of technology and holding it accountable. You know, if you combine the two, it’s actively been proven that cognitive ability in children goes up by an average of 17%. Such is the importance of this interplay.
In this spirit, we come to three interesting new exhibitions happening – or soon to happen – in London.
The first is Berlin-based artist, Rindon Johnson’s, for whom this will be his first solo UK exhibition at Chisenhale Gallery, titled Law of Large Numbers: Our Selves and opening on November 6th. Here Johnson uses technology to explore multifaceted ideas of identity and belonging by combining CGI and sculpture. An artist not by any means new in the art of combining tech and ‘traditional’ art and finding discourse in between the two.
Our second pit-stop is the already opened group exhibition at 180 Strand, Lux: New Wave of Contemporary Art, which is a collaboration between SUUM Project and Fact at 180 Studios. The cavernous, Brutalist warren of an exhibition space lends itself well to this material, letting the work take up the space it needs with the likes of Cecilia Bengolea; Cao Yuxi; Es Devlin; and Hito Steyerl on display.
Finally, and last but not least, for those who want to stay in the Metaverse and be participatory in protest at the same time, a Vienna’s tourism board is launching an OnlyFans account in frustration as a number of the historical city’s museums find themselves censored by our aforementioned social media behemoths. The account will be showing pieces by Egon Schiele, VALIE EXPORT, Amedeo Modigliani, and Peter Paul Rubens. The first subscribers to the new OnlyFans account will be the happy recipients of a Vienna City card or a gallery ticket.
Rindon Johnson is on at Chisenhale Gallery from the 6th November through to 6th February 2022. You can see the collective at 180 The Strand until 18th December, and Vienna’s OnlyFans account is already up and running and can be accessed at https://onlyfans.com/viennatouristboard.
Denis Villeneuve’s new film adaptation of Frank Herbert’s 1969 novel, Dune, and after which the title of this article pays homage to, is now out and a welcome sight for anyone’s pandemic-sore eyes. Like many films before it and, no doubt, many more to come, it’s a vision of how technology and art enmesh to fit mankind’s needs.
Art and Technology have been symbiotic since time immemorial, even if a lot of people don’t realise it. Technology is a facilitator in the Arts: if something can be conceived it can be created. On the flip side: the Arts serve as a conscious council and provocateur hybrid, challenging the direction of technology and holding it accountable. You know, if you combine the two, it’s actively been proven that cognitive ability in children goes up by an average of 17%. Such is the importance of this interplay.
In this spirit, we come to three interesting new exhibitions happening – or soon to happen – in London.
The first is Berlin-based artist, Rindon Johnson’s, for whom this will be his first solo UK exhibition at Chisenhale Gallery, titled Law of Large Numbers: Our Selves and opening on November 6th. Here Johnson uses technology to explore multifaceted ideas of identity and belonging by combining CGI and sculpture. An artist not by any means new in the art of combining tech and ‘traditional’ art and finding discourse in between the two.
Our second pit-stop is the already opened group exhibition at 180 Strand, Lux: New Wave of Contemporary Art, which is a collaboration between SUUM Project and Fact at 180 Studios. The cavernous, Brutalist warren of an exhibition space lends itself well to this material, letting the work take up the space it needs with the likes of Cecilia Bengolea; Cao Yuxi; Es Devlin; and Hito Steyerl on display.
Finally, and last but not least, for those who want to stay in the Metaverse and be participatory in protest at the same time, a Vienna’s tourism board is launching an OnlyFans account in frustration as a number of the historical city’s museums find themselves censored by our aforementioned social media behemoths. The account will be showing pieces by Egon Schiele, VALIE EXPORT, Amedeo Modigliani, and Peter Paul Rubens. The first subscribers to the new OnlyFans account will be the happy recipients of a Vienna City card or a gallery ticket.
Rindon Johnson is on at Chisenhale Gallery from the 6th November through to 6th February 2022. You can see the collective at 180 The Strand until 18th December, and Vienna’s OnlyFans account is already up and running and can be accessed at https://onlyfans.com/viennatouristboard.
Denis Villeneuve’s new film adaptation of Frank Herbert’s 1969 novel, Dune, and after which the title of this article pays homage to, is now out and a welcome sight for anyone’s pandemic-sore eyes. Like many films before it and, no doubt, many more to come, it’s a vision of how technology and art enmesh to fit mankind’s needs.
Art and Technology have been symbiotic since time immemorial, even if a lot of people don’t realise it. Technology is a facilitator in the Arts: if something can be conceived it can be created. On the flip side: the Arts serve as a conscious council and provocateur hybrid, challenging the direction of technology and holding it accountable. You know, if you combine the two, it’s actively been proven that cognitive ability in children goes up by an average of 17%. Such is the importance of this interplay.
In this spirit, we come to three interesting new exhibitions happening – or soon to happen – in London.
The first is Berlin-based artist, Rindon Johnson’s, for whom this will be his first solo UK exhibition at Chisenhale Gallery, titled Law of Large Numbers: Our Selves and opening on November 6th. Here Johnson uses technology to explore multifaceted ideas of identity and belonging by combining CGI and sculpture. An artist not by any means new in the art of combining tech and ‘traditional’ art and finding discourse in between the two.
Our second pit-stop is the already opened group exhibition at 180 Strand, Lux: New Wave of Contemporary Art, which is a collaboration between SUUM Project and Fact at 180 Studios. The cavernous, Brutalist warren of an exhibition space lends itself well to this material, letting the work take up the space it needs with the likes of Cecilia Bengolea; Cao Yuxi; Es Devlin; and Hito Steyerl on display.
Finally, and last but not least, for those who want to stay in the Metaverse and be participatory in protest at the same time, a Vienna’s tourism board is launching an OnlyFans account in frustration as a number of the historical city’s museums find themselves censored by our aforementioned social media behemoths. The account will be showing pieces by Egon Schiele, VALIE EXPORT, Amedeo Modigliani, and Peter Paul Rubens. The first subscribers to the new OnlyFans account will be the happy recipients of a Vienna City card or a gallery ticket.
Rindon Johnson is on at Chisenhale Gallery from the 6th November through to 6th February 2022. You can see the collective at 180 The Strand until 18th December, and Vienna’s OnlyFans account is already up and running and can be accessed at https://onlyfans.com/viennatouristboard.
Denis Villeneuve’s new film adaptation of Frank Herbert’s 1969 novel, Dune, and after which the title of this article pays homage to, is now out and a welcome sight for anyone’s pandemic-sore eyes. Like many films before it and, no doubt, many more to come, it’s a vision of how technology and art enmesh to fit mankind’s needs.
Art and Technology have been symbiotic since time immemorial, even if a lot of people don’t realise it. Technology is a facilitator in the Arts: if something can be conceived it can be created. On the flip side: the Arts serve as a conscious council and provocateur hybrid, challenging the direction of technology and holding it accountable. You know, if you combine the two, it’s actively been proven that cognitive ability in children goes up by an average of 17%. Such is the importance of this interplay.
In this spirit, we come to three interesting new exhibitions happening – or soon to happen – in London.
The first is Berlin-based artist, Rindon Johnson’s, for whom this will be his first solo UK exhibition at Chisenhale Gallery, titled Law of Large Numbers: Our Selves and opening on November 6th. Here Johnson uses technology to explore multifaceted ideas of identity and belonging by combining CGI and sculpture. An artist not by any means new in the art of combining tech and ‘traditional’ art and finding discourse in between the two.
Our second pit-stop is the already opened group exhibition at 180 Strand, Lux: New Wave of Contemporary Art, which is a collaboration between SUUM Project and Fact at 180 Studios. The cavernous, Brutalist warren of an exhibition space lends itself well to this material, letting the work take up the space it needs with the likes of Cecilia Bengolea; Cao Yuxi; Es Devlin; and Hito Steyerl on display.
Finally, and last but not least, for those who want to stay in the Metaverse and be participatory in protest at the same time, a Vienna’s tourism board is launching an OnlyFans account in frustration as a number of the historical city’s museums find themselves censored by our aforementioned social media behemoths. The account will be showing pieces by Egon Schiele, VALIE EXPORT, Amedeo Modigliani, and Peter Paul Rubens. The first subscribers to the new OnlyFans account will be the happy recipients of a Vienna City card or a gallery ticket.
Rindon Johnson is on at Chisenhale Gallery from the 6th November through to 6th February 2022. You can see the collective at 180 The Strand until 18th December, and Vienna’s OnlyFans account is already up and running and can be accessed at https://onlyfans.com/viennatouristboard.
Denis Villeneuve’s new film adaptation of Frank Herbert’s 1969 novel, Dune, and after which the title of this article pays homage to, is now out and a welcome sight for anyone’s pandemic-sore eyes. Like many films before it and, no doubt, many more to come, it’s a vision of how technology and art enmesh to fit mankind’s needs.
Art and Technology have been symbiotic since time immemorial, even if a lot of people don’t realise it. Technology is a facilitator in the Arts: if something can be conceived it can be created. On the flip side: the Arts serve as a conscious council and provocateur hybrid, challenging the direction of technology and holding it accountable. You know, if you combine the two, it’s actively been proven that cognitive ability in children goes up by an average of 17%. Such is the importance of this interplay.
In this spirit, we come to three interesting new exhibitions happening – or soon to happen – in London.
The first is Berlin-based artist, Rindon Johnson’s, for whom this will be his first solo UK exhibition at Chisenhale Gallery, titled Law of Large Numbers: Our Selves and opening on November 6th. Here Johnson uses technology to explore multifaceted ideas of identity and belonging by combining CGI and sculpture. An artist not by any means new in the art of combining tech and ‘traditional’ art and finding discourse in between the two.
Our second pit-stop is the already opened group exhibition at 180 Strand, Lux: New Wave of Contemporary Art, which is a collaboration between SUUM Project and Fact at 180 Studios. The cavernous, Brutalist warren of an exhibition space lends itself well to this material, letting the work take up the space it needs with the likes of Cecilia Bengolea; Cao Yuxi; Es Devlin; and Hito Steyerl on display.
Finally, and last but not least, for those who want to stay in the Metaverse and be participatory in protest at the same time, a Vienna’s tourism board is launching an OnlyFans account in frustration as a number of the historical city’s museums find themselves censored by our aforementioned social media behemoths. The account will be showing pieces by Egon Schiele, VALIE EXPORT, Amedeo Modigliani, and Peter Paul Rubens. The first subscribers to the new OnlyFans account will be the happy recipients of a Vienna City card or a gallery ticket.
Rindon Johnson is on at Chisenhale Gallery from the 6th November through to 6th February 2022. You can see the collective at 180 The Strand until 18th December, and Vienna’s OnlyFans account is already up and running and can be accessed at https://onlyfans.com/viennatouristboard.
Denis Villeneuve’s new film adaptation of Frank Herbert’s 1969 novel, Dune, and after which the title of this article pays homage to, is now out and a welcome sight for anyone’s pandemic-sore eyes. Like many films before it and, no doubt, many more to come, it’s a vision of how technology and art enmesh to fit mankind’s needs.
Art and Technology have been symbiotic since time immemorial, even if a lot of people don’t realise it. Technology is a facilitator in the Arts: if something can be conceived it can be created. On the flip side: the Arts serve as a conscious council and provocateur hybrid, challenging the direction of technology and holding it accountable. You know, if you combine the two, it’s actively been proven that cognitive ability in children goes up by an average of 17%. Such is the importance of this interplay.
In this spirit, we come to three interesting new exhibitions happening – or soon to happen – in London.
The first is Berlin-based artist, Rindon Johnson’s, for whom this will be his first solo UK exhibition at Chisenhale Gallery, titled Law of Large Numbers: Our Selves and opening on November 6th. Here Johnson uses technology to explore multifaceted ideas of identity and belonging by combining CGI and sculpture. An artist not by any means new in the art of combining tech and ‘traditional’ art and finding discourse in between the two.
Our second pit-stop is the already opened group exhibition at 180 Strand, Lux: New Wave of Contemporary Art, which is a collaboration between SUUM Project and Fact at 180 Studios. The cavernous, Brutalist warren of an exhibition space lends itself well to this material, letting the work take up the space it needs with the likes of Cecilia Bengolea; Cao Yuxi; Es Devlin; and Hito Steyerl on display.
Finally, and last but not least, for those who want to stay in the Metaverse and be participatory in protest at the same time, a Vienna’s tourism board is launching an OnlyFans account in frustration as a number of the historical city’s museums find themselves censored by our aforementioned social media behemoths. The account will be showing pieces by Egon Schiele, VALIE EXPORT, Amedeo Modigliani, and Peter Paul Rubens. The first subscribers to the new OnlyFans account will be the happy recipients of a Vienna City card or a gallery ticket.
Rindon Johnson is on at Chisenhale Gallery from the 6th November through to 6th February 2022. You can see the collective at 180 The Strand until 18th December, and Vienna’s OnlyFans account is already up and running and can be accessed at https://onlyfans.com/viennatouristboard.
Denis Villeneuve’s new film adaptation of Frank Herbert’s 1969 novel, Dune, and after which the title of this article pays homage to, is now out and a welcome sight for anyone’s pandemic-sore eyes. Like many films before it and, no doubt, many more to come, it’s a vision of how technology and art enmesh to fit mankind’s needs.
Art and Technology have been symbiotic since time immemorial, even if a lot of people don’t realise it. Technology is a facilitator in the Arts: if something can be conceived it can be created. On the flip side: the Arts serve as a conscious council and provocateur hybrid, challenging the direction of technology and holding it accountable. You know, if you combine the two, it’s actively been proven that cognitive ability in children goes up by an average of 17%. Such is the importance of this interplay.
In this spirit, we come to three interesting new exhibitions happening – or soon to happen – in London.
The first is Berlin-based artist, Rindon Johnson’s, for whom this will be his first solo UK exhibition at Chisenhale Gallery, titled Law of Large Numbers: Our Selves and opening on November 6th. Here Johnson uses technology to explore multifaceted ideas of identity and belonging by combining CGI and sculpture. An artist not by any means new in the art of combining tech and ‘traditional’ art and finding discourse in between the two.
Our second pit-stop is the already opened group exhibition at 180 Strand, Lux: New Wave of Contemporary Art, which is a collaboration between SUUM Project and Fact at 180 Studios. The cavernous, Brutalist warren of an exhibition space lends itself well to this material, letting the work take up the space it needs with the likes of Cecilia Bengolea; Cao Yuxi; Es Devlin; and Hito Steyerl on display.
Finally, and last but not least, for those who want to stay in the Metaverse and be participatory in protest at the same time, a Vienna’s tourism board is launching an OnlyFans account in frustration as a number of the historical city’s museums find themselves censored by our aforementioned social media behemoths. The account will be showing pieces by Egon Schiele, VALIE EXPORT, Amedeo Modigliani, and Peter Paul Rubens. The first subscribers to the new OnlyFans account will be the happy recipients of a Vienna City card or a gallery ticket.
Rindon Johnson is on at Chisenhale Gallery from the 6th November through to 6th February 2022. You can see the collective at 180 The Strand until 18th December, and Vienna’s OnlyFans account is already up and running and can be accessed at https://onlyfans.com/viennatouristboard.
Denis Villeneuve’s new film adaptation of Frank Herbert’s 1969 novel, Dune, and after which the title of this article pays homage to, is now out and a welcome sight for anyone’s pandemic-sore eyes. Like many films before it and, no doubt, many more to come, it’s a vision of how technology and art enmesh to fit mankind’s needs.
Art and Technology have been symbiotic since time immemorial, even if a lot of people don’t realise it. Technology is a facilitator in the Arts: if something can be conceived it can be created. On the flip side: the Arts serve as a conscious council and provocateur hybrid, challenging the direction of technology and holding it accountable. You know, if you combine the two, it’s actively been proven that cognitive ability in children goes up by an average of 17%. Such is the importance of this interplay.
In this spirit, we come to three interesting new exhibitions happening – or soon to happen – in London.
The first is Berlin-based artist, Rindon Johnson’s, for whom this will be his first solo UK exhibition at Chisenhale Gallery, titled Law of Large Numbers: Our Selves and opening on November 6th. Here Johnson uses technology to explore multifaceted ideas of identity and belonging by combining CGI and sculpture. An artist not by any means new in the art of combining tech and ‘traditional’ art and finding discourse in between the two.
Our second pit-stop is the already opened group exhibition at 180 Strand, Lux: New Wave of Contemporary Art, which is a collaboration between SUUM Project and Fact at 180 Studios. The cavernous, Brutalist warren of an exhibition space lends itself well to this material, letting the work take up the space it needs with the likes of Cecilia Bengolea; Cao Yuxi; Es Devlin; and Hito Steyerl on display.
Finally, and last but not least, for those who want to stay in the Metaverse and be participatory in protest at the same time, a Vienna’s tourism board is launching an OnlyFans account in frustration as a number of the historical city’s museums find themselves censored by our aforementioned social media behemoths. The account will be showing pieces by Egon Schiele, VALIE EXPORT, Amedeo Modigliani, and Peter Paul Rubens. The first subscribers to the new OnlyFans account will be the happy recipients of a Vienna City card or a gallery ticket.
Rindon Johnson is on at Chisenhale Gallery from the 6th November through to 6th February 2022. You can see the collective at 180 The Strand until 18th December, and Vienna’s OnlyFans account is already up and running and can be accessed at https://onlyfans.com/viennatouristboard.
Denis Villeneuve’s new film adaptation of Frank Herbert’s 1969 novel, Dune, and after which the title of this article pays homage to, is now out and a welcome sight for anyone’s pandemic-sore eyes. Like many films before it and, no doubt, many more to come, it’s a vision of how technology and art enmesh to fit mankind’s needs.
Art and Technology have been symbiotic since time immemorial, even if a lot of people don’t realise it. Technology is a facilitator in the Arts: if something can be conceived it can be created. On the flip side: the Arts serve as a conscious council and provocateur hybrid, challenging the direction of technology and holding it accountable. You know, if you combine the two, it’s actively been proven that cognitive ability in children goes up by an average of 17%. Such is the importance of this interplay.
In this spirit, we come to three interesting new exhibitions happening – or soon to happen – in London.
The first is Berlin-based artist, Rindon Johnson’s, for whom this will be his first solo UK exhibition at Chisenhale Gallery, titled Law of Large Numbers: Our Selves and opening on November 6th. Here Johnson uses technology to explore multifaceted ideas of identity and belonging by combining CGI and sculpture. An artist not by any means new in the art of combining tech and ‘traditional’ art and finding discourse in between the two.
Our second pit-stop is the already opened group exhibition at 180 Strand, Lux: New Wave of Contemporary Art, which is a collaboration between SUUM Project and Fact at 180 Studios. The cavernous, Brutalist warren of an exhibition space lends itself well to this material, letting the work take up the space it needs with the likes of Cecilia Bengolea; Cao Yuxi; Es Devlin; and Hito Steyerl on display.
Finally, and last but not least, for those who want to stay in the Metaverse and be participatory in protest at the same time, a Vienna’s tourism board is launching an OnlyFans account in frustration as a number of the historical city’s museums find themselves censored by our aforementioned social media behemoths. The account will be showing pieces by Egon Schiele, VALIE EXPORT, Amedeo Modigliani, and Peter Paul Rubens. The first subscribers to the new OnlyFans account will be the happy recipients of a Vienna City card or a gallery ticket.
Rindon Johnson is on at Chisenhale Gallery from the 6th November through to 6th February 2022. You can see the collective at 180 The Strand until 18th December, and Vienna’s OnlyFans account is already up and running and can be accessed at https://onlyfans.com/viennatouristboard.
