gowithYamo’s Guide to Condo London 2026 
January 19, 2026
No items found.

The idea of an event where galleries empty themselves of their own works in order to become vessels for the narratives of other spaces, other people, and distant artists may sound like a fever dream when first described. Yet at a time when art galleries are steadily expanding their borders — literally and metaphorically, by evolving into active, collaborative ecosystems — an idea like Vanessa Carlos’s Condo could only prove successful. This year, Condo London returns (17 January – 14 February 2026) with 50 participating galleries across 23 areas of the city. Visiting them all in a single day is impossible, but Condo invites exploration as if London were transformed into a treasure map, where nothing can be taken for granted. Twenty-three London galleries temporarily masquerade as non-London-based spaces, generating unexpected dialogues with the city and in the host-guest relationships. In this guide, we highlight some of the proposals that most captured Yamo’s attention.

Yasmine Anlan Huang, Surrogate (peacemaker), 2026, embroidery and gel medium transfer on silk crepe de chine, dyed feather, gold-tone alloy charms, hand-painted vintage frames

Nicoletti hosting Magician Space, Beijing 

91 Paul Street, EC2A 4NY
Tue–Sat, 11am – 6pm

The East-Central London gallery Nicoletti welcomes Beijing-based Magician Space, bringing together works by French-Tunisian artist Inès di Folco Jemni and Chinese artist Yasmine Anlan Huang. While di Folco Jemni mainly works with paint by representing scenes of personal and collective memory – weaving together ideas of exile, motherhood and ancestral presences – Huang’s practice moves between digital cultures, girlhood, online trends and digital affection. We’re very much looking forward to knowing what the mix of these two contemporary female gazes will give life to. 

Arlette, aléjate quedito, composite metal mix, wood, velvet, glass

Rose Easton hosting zazà, Milan/Naples

223 Cambridge Heath Road, E2 0EL
Wed–Sat, 12pm – 6pm 

Rose Easton / zazá’s exhibition brings together works from different generations, creating a rare dialogue across time. Arlette presents a new series of framed metal sculptures — many cast from melted-down earlier works — that treat fragmentation not as loss, but as method. Sylvano Bussotti, a pivotal figure in post-war avant-garde music, is represented here through a focused selection including a rare musical score and a collage, highlighting his explorations of performance: a certainly surreal mix that will create a unique spectatorial experience we can’t wait to dive into. 

Maya Gurung-Russell Campbell, 𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘐𝘴 𝘗𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 2025, Jute, cotton, polypropylene, wood, steel

Public hosting Proyectos Ultravioleta, Guatemala City

89–91 Middlesex Street, E1 7DA
Wed–Sat, 11am – 6pm

Hear us out on Public Gallery and Guatemala City–based Proyectos Ultravioleta’s Condo collaboration: with the second being an incredibly active gallery focused on artists from the Global South, the idea of The Fold, a collaborative group exhibition featuring eleven international artists exploring the dialogue between textiles and space, falls right in place. The show highlights practices that treat woven forms and the accumulation of everyday fibres as sites of embodied knowledge, reflecting on how textiles shape our consciousness of time and space. Participating artists include Hellen Ascoli, Maya Gurung-Russell Campbell, Sayan Chanda, Mark Corfield-Moore, Sarah Crowner, Regina Jose Galindo, Xin Liu, Felipe Mujica, Rose Nestler, Johanna Unzueta, and Elisabeth Wild. 

Women’s History Museum

Soft Opening hosting Company Gallery, New York
6 Minerva Street, E2 9EH
Wed–Sat, 12 – 6pm

East-London gallery Soft Opening hosts New York’s Women’s History Museum for an exhibition titled Needle Trades: a series of new sculptures made from repurposed lingerie mannequins dating from the 1930s to 1950s. The new garments are crafted from historical and fetish materials, including 1890s French calico, printed latex, antique tokens, porcupine quills, bobcat fur, and clear leather, and exhibited on disassembled, pierced or masked mannequins; a landscape both fantastical and unsettling. 

Anna Clegg, Exterior 6, 2024, oil on canvas

Emalin hosting Peter Freeman, Inc. New York/Paris
The Clerk’s House, 118 1/2 Shoreditch High Street, E1 6JN
Wed–Sat, 11am – 6pm

Emalin presents a duo exhibition of works by London-based Anna Clegg and late Dan Flavin (1933–1996), organised in collaboration with Peter Freeman, Inc., New York. Despite differences in medium and generation, both artists converge around perception and how it is shaped by technology, culture, and conditions of circulation. Flavin, a pioneer of light installation, used commercially available fluorescent lamps to redefine space; Clegg, in contrast, engages with the circulation of images in everyday life and popular culture, blending photorealistic figuration with painterly gestures. Together, they create a snapshot of the relation between humankind, technological culture and how it affects everyday life, and light. 

Arianna Caserta
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19/01/2026
Art News
Arianna Caserta
gowithYamo’s Guide to Condo London 2026 
Written by
Arianna Caserta
Date Published
19/01/2026
No items found.

The idea of an event where galleries empty themselves of their own works in order to become vessels for the narratives of other spaces, other people, and distant artists may sound like a fever dream when first described. Yet at a time when art galleries are steadily expanding their borders — literally and metaphorically, by evolving into active, collaborative ecosystems — an idea like Vanessa Carlos’s Condo could only prove successful. This year, Condo London returns (17 January – 14 February 2026) with 50 participating galleries across 23 areas of the city. Visiting them all in a single day is impossible, but Condo invites exploration as if London were transformed into a treasure map, where nothing can be taken for granted. Twenty-three London galleries temporarily masquerade as non-London-based spaces, generating unexpected dialogues with the city and in the host-guest relationships. In this guide, we highlight some of the proposals that most captured Yamo’s attention.

Yasmine Anlan Huang, Surrogate (peacemaker), 2026, embroidery and gel medium transfer on silk crepe de chine, dyed feather, gold-tone alloy charms, hand-painted vintage frames

Nicoletti hosting Magician Space, Beijing 

91 Paul Street, EC2A 4NY
Tue–Sat, 11am – 6pm

The East-Central London gallery Nicoletti welcomes Beijing-based Magician Space, bringing together works by French-Tunisian artist Inès di Folco Jemni and Chinese artist Yasmine Anlan Huang. While di Folco Jemni mainly works with paint by representing scenes of personal and collective memory – weaving together ideas of exile, motherhood and ancestral presences – Huang’s practice moves between digital cultures, girlhood, online trends and digital affection. We’re very much looking forward to knowing what the mix of these two contemporary female gazes will give life to. 

Arlette, aléjate quedito, composite metal mix, wood, velvet, glass

Rose Easton hosting zazà, Milan/Naples

223 Cambridge Heath Road, E2 0EL
Wed–Sat, 12pm – 6pm 

Rose Easton / zazá’s exhibition brings together works from different generations, creating a rare dialogue across time. Arlette presents a new series of framed metal sculptures — many cast from melted-down earlier works — that treat fragmentation not as loss, but as method. Sylvano Bussotti, a pivotal figure in post-war avant-garde music, is represented here through a focused selection including a rare musical score and a collage, highlighting his explorations of performance: a certainly surreal mix that will create a unique spectatorial experience we can’t wait to dive into. 

Maya Gurung-Russell Campbell, 𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘐𝘴 𝘗𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 2025, Jute, cotton, polypropylene, wood, steel

Public hosting Proyectos Ultravioleta, Guatemala City

89–91 Middlesex Street, E1 7DA
Wed–Sat, 11am – 6pm

Hear us out on Public Gallery and Guatemala City–based Proyectos Ultravioleta’s Condo collaboration: with the second being an incredibly active gallery focused on artists from the Global South, the idea of The Fold, a collaborative group exhibition featuring eleven international artists exploring the dialogue between textiles and space, falls right in place. The show highlights practices that treat woven forms and the accumulation of everyday fibres as sites of embodied knowledge, reflecting on how textiles shape our consciousness of time and space. Participating artists include Hellen Ascoli, Maya Gurung-Russell Campbell, Sayan Chanda, Mark Corfield-Moore, Sarah Crowner, Regina Jose Galindo, Xin Liu, Felipe Mujica, Rose Nestler, Johanna Unzueta, and Elisabeth Wild. 

Women’s History Museum

Soft Opening hosting Company Gallery, New York
6 Minerva Street, E2 9EH
Wed–Sat, 12 – 6pm

East-London gallery Soft Opening hosts New York’s Women’s History Museum for an exhibition titled Needle Trades: a series of new sculptures made from repurposed lingerie mannequins dating from the 1930s to 1950s. The new garments are crafted from historical and fetish materials, including 1890s French calico, printed latex, antique tokens, porcupine quills, bobcat fur, and clear leather, and exhibited on disassembled, pierced or masked mannequins; a landscape both fantastical and unsettling. 

Anna Clegg, Exterior 6, 2024, oil on canvas

Emalin hosting Peter Freeman, Inc. New York/Paris
The Clerk’s House, 118 1/2 Shoreditch High Street, E1 6JN
Wed–Sat, 11am – 6pm

Emalin presents a duo exhibition of works by London-based Anna Clegg and late Dan Flavin (1933–1996), organised in collaboration with Peter Freeman, Inc., New York. Despite differences in medium and generation, both artists converge around perception and how it is shaped by technology, culture, and conditions of circulation. Flavin, a pioneer of light installation, used commercially available fluorescent lamps to redefine space; Clegg, in contrast, engages with the circulation of images in everyday life and popular culture, blending photorealistic figuration with painterly gestures. Together, they create a snapshot of the relation between humankind, technological culture and how it affects everyday life, and light. 

Thanks for reading
Collect your 5 yamos below
REDEEM YAMOS
gowithYamo’s Guide to Condo London 2026 
Art News
Arianna Caserta
Written by
Arianna Caserta
Date Published
19/01/2026
No items found.

The idea of an event where galleries empty themselves of their own works in order to become vessels for the narratives of other spaces, other people, and distant artists may sound like a fever dream when first described. Yet at a time when art galleries are steadily expanding their borders — literally and metaphorically, by evolving into active, collaborative ecosystems — an idea like Vanessa Carlos’s Condo could only prove successful. This year, Condo London returns (17 January – 14 February 2026) with 50 participating galleries across 23 areas of the city. Visiting them all in a single day is impossible, but Condo invites exploration as if London were transformed into a treasure map, where nothing can be taken for granted. Twenty-three London galleries temporarily masquerade as non-London-based spaces, generating unexpected dialogues with the city and in the host-guest relationships. In this guide, we highlight some of the proposals that most captured Yamo’s attention.

Yasmine Anlan Huang, Surrogate (peacemaker), 2026, embroidery and gel medium transfer on silk crepe de chine, dyed feather, gold-tone alloy charms, hand-painted vintage frames

Nicoletti hosting Magician Space, Beijing 

91 Paul Street, EC2A 4NY
Tue–Sat, 11am – 6pm

The East-Central London gallery Nicoletti welcomes Beijing-based Magician Space, bringing together works by French-Tunisian artist Inès di Folco Jemni and Chinese artist Yasmine Anlan Huang. While di Folco Jemni mainly works with paint by representing scenes of personal and collective memory – weaving together ideas of exile, motherhood and ancestral presences – Huang’s practice moves between digital cultures, girlhood, online trends and digital affection. We’re very much looking forward to knowing what the mix of these two contemporary female gazes will give life to. 

Arlette, aléjate quedito, composite metal mix, wood, velvet, glass

Rose Easton hosting zazà, Milan/Naples

223 Cambridge Heath Road, E2 0EL
Wed–Sat, 12pm – 6pm 

Rose Easton / zazá’s exhibition brings together works from different generations, creating a rare dialogue across time. Arlette presents a new series of framed metal sculptures — many cast from melted-down earlier works — that treat fragmentation not as loss, but as method. Sylvano Bussotti, a pivotal figure in post-war avant-garde music, is represented here through a focused selection including a rare musical score and a collage, highlighting his explorations of performance: a certainly surreal mix that will create a unique spectatorial experience we can’t wait to dive into. 

Maya Gurung-Russell Campbell, 𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘐𝘴 𝘗𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 2025, Jute, cotton, polypropylene, wood, steel

Public hosting Proyectos Ultravioleta, Guatemala City

89–91 Middlesex Street, E1 7DA
Wed–Sat, 11am – 6pm

Hear us out on Public Gallery and Guatemala City–based Proyectos Ultravioleta’s Condo collaboration: with the second being an incredibly active gallery focused on artists from the Global South, the idea of The Fold, a collaborative group exhibition featuring eleven international artists exploring the dialogue between textiles and space, falls right in place. The show highlights practices that treat woven forms and the accumulation of everyday fibres as sites of embodied knowledge, reflecting on how textiles shape our consciousness of time and space. Participating artists include Hellen Ascoli, Maya Gurung-Russell Campbell, Sayan Chanda, Mark Corfield-Moore, Sarah Crowner, Regina Jose Galindo, Xin Liu, Felipe Mujica, Rose Nestler, Johanna Unzueta, and Elisabeth Wild. 

Women’s History Museum

Soft Opening hosting Company Gallery, New York
6 Minerva Street, E2 9EH
Wed–Sat, 12 – 6pm

East-London gallery Soft Opening hosts New York’s Women’s History Museum for an exhibition titled Needle Trades: a series of new sculptures made from repurposed lingerie mannequins dating from the 1930s to 1950s. The new garments are crafted from historical and fetish materials, including 1890s French calico, printed latex, antique tokens, porcupine quills, bobcat fur, and clear leather, and exhibited on disassembled, pierced or masked mannequins; a landscape both fantastical and unsettling. 

Anna Clegg, Exterior 6, 2024, oil on canvas

Emalin hosting Peter Freeman, Inc. New York/Paris
The Clerk’s House, 118 1/2 Shoreditch High Street, E1 6JN
Wed–Sat, 11am – 6pm

Emalin presents a duo exhibition of works by London-based Anna Clegg and late Dan Flavin (1933–1996), organised in collaboration with Peter Freeman, Inc., New York. Despite differences in medium and generation, both artists converge around perception and how it is shaped by technology, culture, and conditions of circulation. Flavin, a pioneer of light installation, used commercially available fluorescent lamps to redefine space; Clegg, in contrast, engages with the circulation of images in everyday life and popular culture, blending photorealistic figuration with painterly gestures. Together, they create a snapshot of the relation between humankind, technological culture and how it affects everyday life, and light. 

Thanks for reading
Collect your 5 yamos below
REDEEM YAMOS
19/01/2026
Art News
Arianna Caserta
gowithYamo’s Guide to Condo London 2026 
Written by
Arianna Caserta
Date Published
19/01/2026
No items found.

The idea of an event where galleries empty themselves of their own works in order to become vessels for the narratives of other spaces, other people, and distant artists may sound like a fever dream when first described. Yet at a time when art galleries are steadily expanding their borders — literally and metaphorically, by evolving into active, collaborative ecosystems — an idea like Vanessa Carlos’s Condo could only prove successful. This year, Condo London returns (17 January – 14 February 2026) with 50 participating galleries across 23 areas of the city. Visiting them all in a single day is impossible, but Condo invites exploration as if London were transformed into a treasure map, where nothing can be taken for granted. Twenty-three London galleries temporarily masquerade as non-London-based spaces, generating unexpected dialogues with the city and in the host-guest relationships. In this guide, we highlight some of the proposals that most captured Yamo’s attention.

Yasmine Anlan Huang, Surrogate (peacemaker), 2026, embroidery and gel medium transfer on silk crepe de chine, dyed feather, gold-tone alloy charms, hand-painted vintage frames

Nicoletti hosting Magician Space, Beijing 

91 Paul Street, EC2A 4NY
Tue–Sat, 11am – 6pm

The East-Central London gallery Nicoletti welcomes Beijing-based Magician Space, bringing together works by French-Tunisian artist Inès di Folco Jemni and Chinese artist Yasmine Anlan Huang. While di Folco Jemni mainly works with paint by representing scenes of personal and collective memory – weaving together ideas of exile, motherhood and ancestral presences – Huang’s practice moves between digital cultures, girlhood, online trends and digital affection. We’re very much looking forward to knowing what the mix of these two contemporary female gazes will give life to. 

Arlette, aléjate quedito, composite metal mix, wood, velvet, glass

Rose Easton hosting zazà, Milan/Naples

223 Cambridge Heath Road, E2 0EL
Wed–Sat, 12pm – 6pm 

Rose Easton / zazá’s exhibition brings together works from different generations, creating a rare dialogue across time. Arlette presents a new series of framed metal sculptures — many cast from melted-down earlier works — that treat fragmentation not as loss, but as method. Sylvano Bussotti, a pivotal figure in post-war avant-garde music, is represented here through a focused selection including a rare musical score and a collage, highlighting his explorations of performance: a certainly surreal mix that will create a unique spectatorial experience we can’t wait to dive into. 

Maya Gurung-Russell Campbell, 𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘐𝘴 𝘗𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 2025, Jute, cotton, polypropylene, wood, steel

Public hosting Proyectos Ultravioleta, Guatemala City

89–91 Middlesex Street, E1 7DA
Wed–Sat, 11am – 6pm

Hear us out on Public Gallery and Guatemala City–based Proyectos Ultravioleta’s Condo collaboration: with the second being an incredibly active gallery focused on artists from the Global South, the idea of The Fold, a collaborative group exhibition featuring eleven international artists exploring the dialogue between textiles and space, falls right in place. The show highlights practices that treat woven forms and the accumulation of everyday fibres as sites of embodied knowledge, reflecting on how textiles shape our consciousness of time and space. Participating artists include Hellen Ascoli, Maya Gurung-Russell Campbell, Sayan Chanda, Mark Corfield-Moore, Sarah Crowner, Regina Jose Galindo, Xin Liu, Felipe Mujica, Rose Nestler, Johanna Unzueta, and Elisabeth Wild. 

Women’s History Museum

Soft Opening hosting Company Gallery, New York
6 Minerva Street, E2 9EH
Wed–Sat, 12 – 6pm

East-London gallery Soft Opening hosts New York’s Women’s History Museum for an exhibition titled Needle Trades: a series of new sculptures made from repurposed lingerie mannequins dating from the 1930s to 1950s. The new garments are crafted from historical and fetish materials, including 1890s French calico, printed latex, antique tokens, porcupine quills, bobcat fur, and clear leather, and exhibited on disassembled, pierced or masked mannequins; a landscape both fantastical and unsettling. 

Anna Clegg, Exterior 6, 2024, oil on canvas

Emalin hosting Peter Freeman, Inc. New York/Paris
The Clerk’s House, 118 1/2 Shoreditch High Street, E1 6JN
Wed–Sat, 11am – 6pm

Emalin presents a duo exhibition of works by London-based Anna Clegg and late Dan Flavin (1933–1996), organised in collaboration with Peter Freeman, Inc., New York. Despite differences in medium and generation, both artists converge around perception and how it is shaped by technology, culture, and conditions of circulation. Flavin, a pioneer of light installation, used commercially available fluorescent lamps to redefine space; Clegg, in contrast, engages with the circulation of images in everyday life and popular culture, blending photorealistic figuration with painterly gestures. Together, they create a snapshot of the relation between humankind, technological culture and how it affects everyday life, and light. 

Thanks for reading
Collect your 5 yamos below
REDEEM YAMOS
19/01/2026
Art News
Arianna Caserta
gowithYamo’s Guide to Condo London 2026 
Written by
Arianna Caserta
Date Published
19/01/2026
No items found.

The idea of an event where galleries empty themselves of their own works in order to become vessels for the narratives of other spaces, other people, and distant artists may sound like a fever dream when first described. Yet at a time when art galleries are steadily expanding their borders — literally and metaphorically, by evolving into active, collaborative ecosystems — an idea like Vanessa Carlos’s Condo could only prove successful. This year, Condo London returns (17 January – 14 February 2026) with 50 participating galleries across 23 areas of the city. Visiting them all in a single day is impossible, but Condo invites exploration as if London were transformed into a treasure map, where nothing can be taken for granted. Twenty-three London galleries temporarily masquerade as non-London-based spaces, generating unexpected dialogues with the city and in the host-guest relationships. In this guide, we highlight some of the proposals that most captured Yamo’s attention.

Yasmine Anlan Huang, Surrogate (peacemaker), 2026, embroidery and gel medium transfer on silk crepe de chine, dyed feather, gold-tone alloy charms, hand-painted vintage frames

Nicoletti hosting Magician Space, Beijing 

91 Paul Street, EC2A 4NY
Tue–Sat, 11am – 6pm

The East-Central London gallery Nicoletti welcomes Beijing-based Magician Space, bringing together works by French-Tunisian artist Inès di Folco Jemni and Chinese artist Yasmine Anlan Huang. While di Folco Jemni mainly works with paint by representing scenes of personal and collective memory – weaving together ideas of exile, motherhood and ancestral presences – Huang’s practice moves between digital cultures, girlhood, online trends and digital affection. We’re very much looking forward to knowing what the mix of these two contemporary female gazes will give life to. 

Arlette, aléjate quedito, composite metal mix, wood, velvet, glass

Rose Easton hosting zazà, Milan/Naples

223 Cambridge Heath Road, E2 0EL
Wed–Sat, 12pm – 6pm 

Rose Easton / zazá’s exhibition brings together works from different generations, creating a rare dialogue across time. Arlette presents a new series of framed metal sculptures — many cast from melted-down earlier works — that treat fragmentation not as loss, but as method. Sylvano Bussotti, a pivotal figure in post-war avant-garde music, is represented here through a focused selection including a rare musical score and a collage, highlighting his explorations of performance: a certainly surreal mix that will create a unique spectatorial experience we can’t wait to dive into. 

Maya Gurung-Russell Campbell, 𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘐𝘴 𝘗𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 2025, Jute, cotton, polypropylene, wood, steel

Public hosting Proyectos Ultravioleta, Guatemala City

89–91 Middlesex Street, E1 7DA
Wed–Sat, 11am – 6pm

Hear us out on Public Gallery and Guatemala City–based Proyectos Ultravioleta’s Condo collaboration: with the second being an incredibly active gallery focused on artists from the Global South, the idea of The Fold, a collaborative group exhibition featuring eleven international artists exploring the dialogue between textiles and space, falls right in place. The show highlights practices that treat woven forms and the accumulation of everyday fibres as sites of embodied knowledge, reflecting on how textiles shape our consciousness of time and space. Participating artists include Hellen Ascoli, Maya Gurung-Russell Campbell, Sayan Chanda, Mark Corfield-Moore, Sarah Crowner, Regina Jose Galindo, Xin Liu, Felipe Mujica, Rose Nestler, Johanna Unzueta, and Elisabeth Wild. 

Women’s History Museum

Soft Opening hosting Company Gallery, New York
6 Minerva Street, E2 9EH
Wed–Sat, 12 – 6pm

East-London gallery Soft Opening hosts New York’s Women’s History Museum for an exhibition titled Needle Trades: a series of new sculptures made from repurposed lingerie mannequins dating from the 1930s to 1950s. The new garments are crafted from historical and fetish materials, including 1890s French calico, printed latex, antique tokens, porcupine quills, bobcat fur, and clear leather, and exhibited on disassembled, pierced or masked mannequins; a landscape both fantastical and unsettling. 

Anna Clegg, Exterior 6, 2024, oil on canvas

Emalin hosting Peter Freeman, Inc. New York/Paris
The Clerk’s House, 118 1/2 Shoreditch High Street, E1 6JN
Wed–Sat, 11am – 6pm

Emalin presents a duo exhibition of works by London-based Anna Clegg and late Dan Flavin (1933–1996), organised in collaboration with Peter Freeman, Inc., New York. Despite differences in medium and generation, both artists converge around perception and how it is shaped by technology, culture, and conditions of circulation. Flavin, a pioneer of light installation, used commercially available fluorescent lamps to redefine space; Clegg, in contrast, engages with the circulation of images in everyday life and popular culture, blending photorealistic figuration with painterly gestures. Together, they create a snapshot of the relation between humankind, technological culture and how it affects everyday life, and light. 

Thanks for reading
Collect your 5 yamos below
REDEEM YAMOS
19/01/2026
Art News
Arianna Caserta
gowithYamo’s Guide to Condo London 2026 
Written by
Arianna Caserta
Date Published
19/01/2026
No items found.

The idea of an event where galleries empty themselves of their own works in order to become vessels for the narratives of other spaces, other people, and distant artists may sound like a fever dream when first described. Yet at a time when art galleries are steadily expanding their borders — literally and metaphorically, by evolving into active, collaborative ecosystems — an idea like Vanessa Carlos’s Condo could only prove successful. This year, Condo London returns (17 January – 14 February 2026) with 50 participating galleries across 23 areas of the city. Visiting them all in a single day is impossible, but Condo invites exploration as if London were transformed into a treasure map, where nothing can be taken for granted. Twenty-three London galleries temporarily masquerade as non-London-based spaces, generating unexpected dialogues with the city and in the host-guest relationships. In this guide, we highlight some of the proposals that most captured Yamo’s attention.

Yasmine Anlan Huang, Surrogate (peacemaker), 2026, embroidery and gel medium transfer on silk crepe de chine, dyed feather, gold-tone alloy charms, hand-painted vintage frames

Nicoletti hosting Magician Space, Beijing 

91 Paul Street, EC2A 4NY
Tue–Sat, 11am – 6pm

The East-Central London gallery Nicoletti welcomes Beijing-based Magician Space, bringing together works by French-Tunisian artist Inès di Folco Jemni and Chinese artist Yasmine Anlan Huang. While di Folco Jemni mainly works with paint by representing scenes of personal and collective memory – weaving together ideas of exile, motherhood and ancestral presences – Huang’s practice moves between digital cultures, girlhood, online trends and digital affection. We’re very much looking forward to knowing what the mix of these two contemporary female gazes will give life to. 

Arlette, aléjate quedito, composite metal mix, wood, velvet, glass

Rose Easton hosting zazà, Milan/Naples

223 Cambridge Heath Road, E2 0EL
Wed–Sat, 12pm – 6pm 

Rose Easton / zazá’s exhibition brings together works from different generations, creating a rare dialogue across time. Arlette presents a new series of framed metal sculptures — many cast from melted-down earlier works — that treat fragmentation not as loss, but as method. Sylvano Bussotti, a pivotal figure in post-war avant-garde music, is represented here through a focused selection including a rare musical score and a collage, highlighting his explorations of performance: a certainly surreal mix that will create a unique spectatorial experience we can’t wait to dive into. 

Maya Gurung-Russell Campbell, 𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘐𝘴 𝘗𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 2025, Jute, cotton, polypropylene, wood, steel

Public hosting Proyectos Ultravioleta, Guatemala City

89–91 Middlesex Street, E1 7DA
Wed–Sat, 11am – 6pm

Hear us out on Public Gallery and Guatemala City–based Proyectos Ultravioleta’s Condo collaboration: with the second being an incredibly active gallery focused on artists from the Global South, the idea of The Fold, a collaborative group exhibition featuring eleven international artists exploring the dialogue between textiles and space, falls right in place. The show highlights practices that treat woven forms and the accumulation of everyday fibres as sites of embodied knowledge, reflecting on how textiles shape our consciousness of time and space. Participating artists include Hellen Ascoli, Maya Gurung-Russell Campbell, Sayan Chanda, Mark Corfield-Moore, Sarah Crowner, Regina Jose Galindo, Xin Liu, Felipe Mujica, Rose Nestler, Johanna Unzueta, and Elisabeth Wild. 

Women’s History Museum

Soft Opening hosting Company Gallery, New York
6 Minerva Street, E2 9EH
Wed–Sat, 12 – 6pm

East-London gallery Soft Opening hosts New York’s Women’s History Museum for an exhibition titled Needle Trades: a series of new sculptures made from repurposed lingerie mannequins dating from the 1930s to 1950s. The new garments are crafted from historical and fetish materials, including 1890s French calico, printed latex, antique tokens, porcupine quills, bobcat fur, and clear leather, and exhibited on disassembled, pierced or masked mannequins; a landscape both fantastical and unsettling. 

Anna Clegg, Exterior 6, 2024, oil on canvas

Emalin hosting Peter Freeman, Inc. New York/Paris
The Clerk’s House, 118 1/2 Shoreditch High Street, E1 6JN
Wed–Sat, 11am – 6pm

Emalin presents a duo exhibition of works by London-based Anna Clegg and late Dan Flavin (1933–1996), organised in collaboration with Peter Freeman, Inc., New York. Despite differences in medium and generation, both artists converge around perception and how it is shaped by technology, culture, and conditions of circulation. Flavin, a pioneer of light installation, used commercially available fluorescent lamps to redefine space; Clegg, in contrast, engages with the circulation of images in everyday life and popular culture, blending photorealistic figuration with painterly gestures. Together, they create a snapshot of the relation between humankind, technological culture and how it affects everyday life, and light. 

Thanks for reading
Collect your 5 yamos below
REDEEM YAMOS
Written by
Arianna Caserta
Date Published
19/01/2026
No items found.
19/01/2026
Art News
Arianna Caserta
gowithYamo’s Guide to Condo London 2026 

The idea of an event where galleries empty themselves of their own works in order to become vessels for the narratives of other spaces, other people, and distant artists may sound like a fever dream when first described. Yet at a time when art galleries are steadily expanding their borders — literally and metaphorically, by evolving into active, collaborative ecosystems — an idea like Vanessa Carlos’s Condo could only prove successful. This year, Condo London returns (17 January – 14 February 2026) with 50 participating galleries across 23 areas of the city. Visiting them all in a single day is impossible, but Condo invites exploration as if London were transformed into a treasure map, where nothing can be taken for granted. Twenty-three London galleries temporarily masquerade as non-London-based spaces, generating unexpected dialogues with the city and in the host-guest relationships. In this guide, we highlight some of the proposals that most captured Yamo’s attention.

Yasmine Anlan Huang, Surrogate (peacemaker), 2026, embroidery and gel medium transfer on silk crepe de chine, dyed feather, gold-tone alloy charms, hand-painted vintage frames

Nicoletti hosting Magician Space, Beijing 

91 Paul Street, EC2A 4NY
Tue–Sat, 11am – 6pm

The East-Central London gallery Nicoletti welcomes Beijing-based Magician Space, bringing together works by French-Tunisian artist Inès di Folco Jemni and Chinese artist Yasmine Anlan Huang. While di Folco Jemni mainly works with paint by representing scenes of personal and collective memory – weaving together ideas of exile, motherhood and ancestral presences – Huang’s practice moves between digital cultures, girlhood, online trends and digital affection. We’re very much looking forward to knowing what the mix of these two contemporary female gazes will give life to. 

Arlette, aléjate quedito, composite metal mix, wood, velvet, glass

Rose Easton hosting zazà, Milan/Naples

223 Cambridge Heath Road, E2 0EL
Wed–Sat, 12pm – 6pm 

Rose Easton / zazá’s exhibition brings together works from different generations, creating a rare dialogue across time. Arlette presents a new series of framed metal sculptures — many cast from melted-down earlier works — that treat fragmentation not as loss, but as method. Sylvano Bussotti, a pivotal figure in post-war avant-garde music, is represented here through a focused selection including a rare musical score and a collage, highlighting his explorations of performance: a certainly surreal mix that will create a unique spectatorial experience we can’t wait to dive into. 

Maya Gurung-Russell Campbell, 𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘐𝘴 𝘗𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 2025, Jute, cotton, polypropylene, wood, steel

Public hosting Proyectos Ultravioleta, Guatemala City

89–91 Middlesex Street, E1 7DA
Wed–Sat, 11am – 6pm

Hear us out on Public Gallery and Guatemala City–based Proyectos Ultravioleta’s Condo collaboration: with the second being an incredibly active gallery focused on artists from the Global South, the idea of The Fold, a collaborative group exhibition featuring eleven international artists exploring the dialogue between textiles and space, falls right in place. The show highlights practices that treat woven forms and the accumulation of everyday fibres as sites of embodied knowledge, reflecting on how textiles shape our consciousness of time and space. Participating artists include Hellen Ascoli, Maya Gurung-Russell Campbell, Sayan Chanda, Mark Corfield-Moore, Sarah Crowner, Regina Jose Galindo, Xin Liu, Felipe Mujica, Rose Nestler, Johanna Unzueta, and Elisabeth Wild. 

Women’s History Museum

Soft Opening hosting Company Gallery, New York
6 Minerva Street, E2 9EH
Wed–Sat, 12 – 6pm

East-London gallery Soft Opening hosts New York’s Women’s History Museum for an exhibition titled Needle Trades: a series of new sculptures made from repurposed lingerie mannequins dating from the 1930s to 1950s. The new garments are crafted from historical and fetish materials, including 1890s French calico, printed latex, antique tokens, porcupine quills, bobcat fur, and clear leather, and exhibited on disassembled, pierced or masked mannequins; a landscape both fantastical and unsettling. 

Anna Clegg, Exterior 6, 2024, oil on canvas

Emalin hosting Peter Freeman, Inc. New York/Paris
The Clerk’s House, 118 1/2 Shoreditch High Street, E1 6JN
Wed–Sat, 11am – 6pm

Emalin presents a duo exhibition of works by London-based Anna Clegg and late Dan Flavin (1933–1996), organised in collaboration with Peter Freeman, Inc., New York. Despite differences in medium and generation, both artists converge around perception and how it is shaped by technology, culture, and conditions of circulation. Flavin, a pioneer of light installation, used commercially available fluorescent lamps to redefine space; Clegg, in contrast, engages with the circulation of images in everyday life and popular culture, blending photorealistic figuration with painterly gestures. Together, they create a snapshot of the relation between humankind, technological culture and how it affects everyday life, and light. 

Thanks for reading
Collect your 5 yamos below
REDEEM YAMOS
gowithYamo’s Guide to Condo London 2026 
19/01/2026
Art News
Arianna Caserta
Written by
Arianna Caserta
Date Published
19/01/2026
No items found.

The idea of an event where galleries empty themselves of their own works in order to become vessels for the narratives of other spaces, other people, and distant artists may sound like a fever dream when first described. Yet at a time when art galleries are steadily expanding their borders — literally and metaphorically, by evolving into active, collaborative ecosystems — an idea like Vanessa Carlos’s Condo could only prove successful. This year, Condo London returns (17 January – 14 February 2026) with 50 participating galleries across 23 areas of the city. Visiting them all in a single day is impossible, but Condo invites exploration as if London were transformed into a treasure map, where nothing can be taken for granted. Twenty-three London galleries temporarily masquerade as non-London-based spaces, generating unexpected dialogues with the city and in the host-guest relationships. In this guide, we highlight some of the proposals that most captured Yamo’s attention.

Yasmine Anlan Huang, Surrogate (peacemaker), 2026, embroidery and gel medium transfer on silk crepe de chine, dyed feather, gold-tone alloy charms, hand-painted vintage frames

Nicoletti hosting Magician Space, Beijing 

91 Paul Street, EC2A 4NY
Tue–Sat, 11am – 6pm

The East-Central London gallery Nicoletti welcomes Beijing-based Magician Space, bringing together works by French-Tunisian artist Inès di Folco Jemni and Chinese artist Yasmine Anlan Huang. While di Folco Jemni mainly works with paint by representing scenes of personal and collective memory – weaving together ideas of exile, motherhood and ancestral presences – Huang’s practice moves between digital cultures, girlhood, online trends and digital affection. We’re very much looking forward to knowing what the mix of these two contemporary female gazes will give life to. 

Arlette, aléjate quedito, composite metal mix, wood, velvet, glass

Rose Easton hosting zazà, Milan/Naples

223 Cambridge Heath Road, E2 0EL
Wed–Sat, 12pm – 6pm 

Rose Easton / zazá’s exhibition brings together works from different generations, creating a rare dialogue across time. Arlette presents a new series of framed metal sculptures — many cast from melted-down earlier works — that treat fragmentation not as loss, but as method. Sylvano Bussotti, a pivotal figure in post-war avant-garde music, is represented here through a focused selection including a rare musical score and a collage, highlighting his explorations of performance: a certainly surreal mix that will create a unique spectatorial experience we can’t wait to dive into. 

Maya Gurung-Russell Campbell, 𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘐𝘴 𝘗𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 2025, Jute, cotton, polypropylene, wood, steel

Public hosting Proyectos Ultravioleta, Guatemala City

89–91 Middlesex Street, E1 7DA
Wed–Sat, 11am – 6pm

Hear us out on Public Gallery and Guatemala City–based Proyectos Ultravioleta’s Condo collaboration: with the second being an incredibly active gallery focused on artists from the Global South, the idea of The Fold, a collaborative group exhibition featuring eleven international artists exploring the dialogue between textiles and space, falls right in place. The show highlights practices that treat woven forms and the accumulation of everyday fibres as sites of embodied knowledge, reflecting on how textiles shape our consciousness of time and space. Participating artists include Hellen Ascoli, Maya Gurung-Russell Campbell, Sayan Chanda, Mark Corfield-Moore, Sarah Crowner, Regina Jose Galindo, Xin Liu, Felipe Mujica, Rose Nestler, Johanna Unzueta, and Elisabeth Wild. 

Women’s History Museum

Soft Opening hosting Company Gallery, New York
6 Minerva Street, E2 9EH
Wed–Sat, 12 – 6pm

East-London gallery Soft Opening hosts New York’s Women’s History Museum for an exhibition titled Needle Trades: a series of new sculptures made from repurposed lingerie mannequins dating from the 1930s to 1950s. The new garments are crafted from historical and fetish materials, including 1890s French calico, printed latex, antique tokens, porcupine quills, bobcat fur, and clear leather, and exhibited on disassembled, pierced or masked mannequins; a landscape both fantastical and unsettling. 

Anna Clegg, Exterior 6, 2024, oil on canvas

Emalin hosting Peter Freeman, Inc. New York/Paris
The Clerk’s House, 118 1/2 Shoreditch High Street, E1 6JN
Wed–Sat, 11am – 6pm

Emalin presents a duo exhibition of works by London-based Anna Clegg and late Dan Flavin (1933–1996), organised in collaboration with Peter Freeman, Inc., New York. Despite differences in medium and generation, both artists converge around perception and how it is shaped by technology, culture, and conditions of circulation. Flavin, a pioneer of light installation, used commercially available fluorescent lamps to redefine space; Clegg, in contrast, engages with the circulation of images in everyday life and popular culture, blending photorealistic figuration with painterly gestures. Together, they create a snapshot of the relation between humankind, technological culture and how it affects everyday life, and light. 

Thanks for reading
Collect your 5 yamos below
REDEEM YAMOS
gowithYamo’s Guide to Condo London 2026 
Written by
Arianna Caserta
Date Published
19/01/2026
19/01/2026
Art News
Arianna Caserta

The idea of an event where galleries empty themselves of their own works in order to become vessels for the narratives of other spaces, other people, and distant artists may sound like a fever dream when first described. Yet at a time when art galleries are steadily expanding their borders — literally and metaphorically, by evolving into active, collaborative ecosystems — an idea like Vanessa Carlos’s Condo could only prove successful. This year, Condo London returns (17 January – 14 February 2026) with 50 participating galleries across 23 areas of the city. Visiting them all in a single day is impossible, but Condo invites exploration as if London were transformed into a treasure map, where nothing can be taken for granted. Twenty-three London galleries temporarily masquerade as non-London-based spaces, generating unexpected dialogues with the city and in the host-guest relationships. In this guide, we highlight some of the proposals that most captured Yamo’s attention.

Yasmine Anlan Huang, Surrogate (peacemaker), 2026, embroidery and gel medium transfer on silk crepe de chine, dyed feather, gold-tone alloy charms, hand-painted vintage frames

Nicoletti hosting Magician Space, Beijing 

91 Paul Street, EC2A 4NY
Tue–Sat, 11am – 6pm

The East-Central London gallery Nicoletti welcomes Beijing-based Magician Space, bringing together works by French-Tunisian artist Inès di Folco Jemni and Chinese artist Yasmine Anlan Huang. While di Folco Jemni mainly works with paint by representing scenes of personal and collective memory – weaving together ideas of exile, motherhood and ancestral presences – Huang’s practice moves between digital cultures, girlhood, online trends and digital affection. We’re very much looking forward to knowing what the mix of these two contemporary female gazes will give life to. 

Arlette, aléjate quedito, composite metal mix, wood, velvet, glass

Rose Easton hosting zazà, Milan/Naples

223 Cambridge Heath Road, E2 0EL
Wed–Sat, 12pm – 6pm 

Rose Easton / zazá’s exhibition brings together works from different generations, creating a rare dialogue across time. Arlette presents a new series of framed metal sculptures — many cast from melted-down earlier works — that treat fragmentation not as loss, but as method. Sylvano Bussotti, a pivotal figure in post-war avant-garde music, is represented here through a focused selection including a rare musical score and a collage, highlighting his explorations of performance: a certainly surreal mix that will create a unique spectatorial experience we can’t wait to dive into. 

Maya Gurung-Russell Campbell, 𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘐𝘴 𝘗𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 2025, Jute, cotton, polypropylene, wood, steel

Public hosting Proyectos Ultravioleta, Guatemala City

89–91 Middlesex Street, E1 7DA
Wed–Sat, 11am – 6pm

Hear us out on Public Gallery and Guatemala City–based Proyectos Ultravioleta’s Condo collaboration: with the second being an incredibly active gallery focused on artists from the Global South, the idea of The Fold, a collaborative group exhibition featuring eleven international artists exploring the dialogue between textiles and space, falls right in place. The show highlights practices that treat woven forms and the accumulation of everyday fibres as sites of embodied knowledge, reflecting on how textiles shape our consciousness of time and space. Participating artists include Hellen Ascoli, Maya Gurung-Russell Campbell, Sayan Chanda, Mark Corfield-Moore, Sarah Crowner, Regina Jose Galindo, Xin Liu, Felipe Mujica, Rose Nestler, Johanna Unzueta, and Elisabeth Wild. 

Women’s History Museum

Soft Opening hosting Company Gallery, New York
6 Minerva Street, E2 9EH
Wed–Sat, 12 – 6pm

East-London gallery Soft Opening hosts New York’s Women’s History Museum for an exhibition titled Needle Trades: a series of new sculptures made from repurposed lingerie mannequins dating from the 1930s to 1950s. The new garments are crafted from historical and fetish materials, including 1890s French calico, printed latex, antique tokens, porcupine quills, bobcat fur, and clear leather, and exhibited on disassembled, pierced or masked mannequins; a landscape both fantastical and unsettling. 

Anna Clegg, Exterior 6, 2024, oil on canvas

Emalin hosting Peter Freeman, Inc. New York/Paris
The Clerk’s House, 118 1/2 Shoreditch High Street, E1 6JN
Wed–Sat, 11am – 6pm

Emalin presents a duo exhibition of works by London-based Anna Clegg and late Dan Flavin (1933–1996), organised in collaboration with Peter Freeman, Inc., New York. Despite differences in medium and generation, both artists converge around perception and how it is shaped by technology, culture, and conditions of circulation. Flavin, a pioneer of light installation, used commercially available fluorescent lamps to redefine space; Clegg, in contrast, engages with the circulation of images in everyday life and popular culture, blending photorealistic figuration with painterly gestures. Together, they create a snapshot of the relation between humankind, technological culture and how it affects everyday life, and light. 

Thanks for reading
Collect your 5 yamos below
REDEEM YAMOS
gowithYamo’s Guide to Condo London 2026 
Written by
Arianna Caserta
Date Published
19/01/2026
No items found.
19/01/2026
Art News
Arianna Caserta

The idea of an event where galleries empty themselves of their own works in order to become vessels for the narratives of other spaces, other people, and distant artists may sound like a fever dream when first described. Yet at a time when art galleries are steadily expanding their borders — literally and metaphorically, by evolving into active, collaborative ecosystems — an idea like Vanessa Carlos’s Condo could only prove successful. This year, Condo London returns (17 January – 14 February 2026) with 50 participating galleries across 23 areas of the city. Visiting them all in a single day is impossible, but Condo invites exploration as if London were transformed into a treasure map, where nothing can be taken for granted. Twenty-three London galleries temporarily masquerade as non-London-based spaces, generating unexpected dialogues with the city and in the host-guest relationships. In this guide, we highlight some of the proposals that most captured Yamo’s attention.

Yasmine Anlan Huang, Surrogate (peacemaker), 2026, embroidery and gel medium transfer on silk crepe de chine, dyed feather, gold-tone alloy charms, hand-painted vintage frames

Nicoletti hosting Magician Space, Beijing 

91 Paul Street, EC2A 4NY
Tue–Sat, 11am – 6pm

The East-Central London gallery Nicoletti welcomes Beijing-based Magician Space, bringing together works by French-Tunisian artist Inès di Folco Jemni and Chinese artist Yasmine Anlan Huang. While di Folco Jemni mainly works with paint by representing scenes of personal and collective memory – weaving together ideas of exile, motherhood and ancestral presences – Huang’s practice moves between digital cultures, girlhood, online trends and digital affection. We’re very much looking forward to knowing what the mix of these two contemporary female gazes will give life to. 

Arlette, aléjate quedito, composite metal mix, wood, velvet, glass

Rose Easton hosting zazà, Milan/Naples

223 Cambridge Heath Road, E2 0EL
Wed–Sat, 12pm – 6pm 

Rose Easton / zazá’s exhibition brings together works from different generations, creating a rare dialogue across time. Arlette presents a new series of framed metal sculptures — many cast from melted-down earlier works — that treat fragmentation not as loss, but as method. Sylvano Bussotti, a pivotal figure in post-war avant-garde music, is represented here through a focused selection including a rare musical score and a collage, highlighting his explorations of performance: a certainly surreal mix that will create a unique spectatorial experience we can’t wait to dive into. 

Maya Gurung-Russell Campbell, 𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘐𝘴 𝘗𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 2025, Jute, cotton, polypropylene, wood, steel

Public hosting Proyectos Ultravioleta, Guatemala City

89–91 Middlesex Street, E1 7DA
Wed–Sat, 11am – 6pm

Hear us out on Public Gallery and Guatemala City–based Proyectos Ultravioleta’s Condo collaboration: with the second being an incredibly active gallery focused on artists from the Global South, the idea of The Fold, a collaborative group exhibition featuring eleven international artists exploring the dialogue between textiles and space, falls right in place. The show highlights practices that treat woven forms and the accumulation of everyday fibres as sites of embodied knowledge, reflecting on how textiles shape our consciousness of time and space. Participating artists include Hellen Ascoli, Maya Gurung-Russell Campbell, Sayan Chanda, Mark Corfield-Moore, Sarah Crowner, Regina Jose Galindo, Xin Liu, Felipe Mujica, Rose Nestler, Johanna Unzueta, and Elisabeth Wild. 

Women’s History Museum

Soft Opening hosting Company Gallery, New York
6 Minerva Street, E2 9EH
Wed–Sat, 12 – 6pm

East-London gallery Soft Opening hosts New York’s Women’s History Museum for an exhibition titled Needle Trades: a series of new sculptures made from repurposed lingerie mannequins dating from the 1930s to 1950s. The new garments are crafted from historical and fetish materials, including 1890s French calico, printed latex, antique tokens, porcupine quills, bobcat fur, and clear leather, and exhibited on disassembled, pierced or masked mannequins; a landscape both fantastical and unsettling. 

Anna Clegg, Exterior 6, 2024, oil on canvas

Emalin hosting Peter Freeman, Inc. New York/Paris
The Clerk’s House, 118 1/2 Shoreditch High Street, E1 6JN
Wed–Sat, 11am – 6pm

Emalin presents a duo exhibition of works by London-based Anna Clegg and late Dan Flavin (1933–1996), organised in collaboration with Peter Freeman, Inc., New York. Despite differences in medium and generation, both artists converge around perception and how it is shaped by technology, culture, and conditions of circulation. Flavin, a pioneer of light installation, used commercially available fluorescent lamps to redefine space; Clegg, in contrast, engages with the circulation of images in everyday life and popular culture, blending photorealistic figuration with painterly gestures. Together, they create a snapshot of the relation between humankind, technological culture and how it affects everyday life, and light. 

Thanks for reading
Collect your 5 yamos below
REDEEM YAMOS
19/01/2026
Art News
Arianna Caserta
gowithYamo’s Guide to Condo London 2026 

The idea of an event where galleries empty themselves of their own works in order to become vessels for the narratives of other spaces, other people, and distant artists may sound like a fever dream when first described. Yet at a time when art galleries are steadily expanding their borders — literally and metaphorically, by evolving into active, collaborative ecosystems — an idea like Vanessa Carlos’s Condo could only prove successful. This year, Condo London returns (17 January – 14 February 2026) with 50 participating galleries across 23 areas of the city. Visiting them all in a single day is impossible, but Condo invites exploration as if London were transformed into a treasure map, where nothing can be taken for granted. Twenty-three London galleries temporarily masquerade as non-London-based spaces, generating unexpected dialogues with the city and in the host-guest relationships. In this guide, we highlight some of the proposals that most captured Yamo’s attention.

Yasmine Anlan Huang, Surrogate (peacemaker), 2026, embroidery and gel medium transfer on silk crepe de chine, dyed feather, gold-tone alloy charms, hand-painted vintage frames

Nicoletti hosting Magician Space, Beijing 

91 Paul Street, EC2A 4NY
Tue–Sat, 11am – 6pm

The East-Central London gallery Nicoletti welcomes Beijing-based Magician Space, bringing together works by French-Tunisian artist Inès di Folco Jemni and Chinese artist Yasmine Anlan Huang. While di Folco Jemni mainly works with paint by representing scenes of personal and collective memory – weaving together ideas of exile, motherhood and ancestral presences – Huang’s practice moves between digital cultures, girlhood, online trends and digital affection. We’re very much looking forward to knowing what the mix of these two contemporary female gazes will give life to. 

Arlette, aléjate quedito, composite metal mix, wood, velvet, glass

Rose Easton hosting zazà, Milan/Naples

223 Cambridge Heath Road, E2 0EL
Wed–Sat, 12pm – 6pm 

Rose Easton / zazá’s exhibition brings together works from different generations, creating a rare dialogue across time. Arlette presents a new series of framed metal sculptures — many cast from melted-down earlier works — that treat fragmentation not as loss, but as method. Sylvano Bussotti, a pivotal figure in post-war avant-garde music, is represented here through a focused selection including a rare musical score and a collage, highlighting his explorations of performance: a certainly surreal mix that will create a unique spectatorial experience we can’t wait to dive into. 

Maya Gurung-Russell Campbell, 𝘈𝘯𝘰𝘵𝘩𝘦𝘳 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘐𝘴 𝘗𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 2025, Jute, cotton, polypropylene, wood, steel

Public hosting Proyectos Ultravioleta, Guatemala City

89–91 Middlesex Street, E1 7DA
Wed–Sat, 11am – 6pm

Hear us out on Public Gallery and Guatemala City–based Proyectos Ultravioleta’s Condo collaboration: with the second being an incredibly active gallery focused on artists from the Global South, the idea of The Fold, a collaborative group exhibition featuring eleven international artists exploring the dialogue between textiles and space, falls right in place. The show highlights practices that treat woven forms and the accumulation of everyday fibres as sites of embodied knowledge, reflecting on how textiles shape our consciousness of time and space. Participating artists include Hellen Ascoli, Maya Gurung-Russell Campbell, Sayan Chanda, Mark Corfield-Moore, Sarah Crowner, Regina Jose Galindo, Xin Liu, Felipe Mujica, Rose Nestler, Johanna Unzueta, and Elisabeth Wild. 

Women’s History Museum

Soft Opening hosting Company Gallery, New York
6 Minerva Street, E2 9EH
Wed–Sat, 12 – 6pm

East-London gallery Soft Opening hosts New York’s Women’s History Museum for an exhibition titled Needle Trades: a series of new sculptures made from repurposed lingerie mannequins dating from the 1930s to 1950s. The new garments are crafted from historical and fetish materials, including 1890s French calico, printed latex, antique tokens, porcupine quills, bobcat fur, and clear leather, and exhibited on disassembled, pierced or masked mannequins; a landscape both fantastical and unsettling. 

Anna Clegg, Exterior 6, 2024, oil on canvas

Emalin hosting Peter Freeman, Inc. New York/Paris
The Clerk’s House, 118 1/2 Shoreditch High Street, E1 6JN
Wed–Sat, 11am – 6pm

Emalin presents a duo exhibition of works by London-based Anna Clegg and late Dan Flavin (1933–1996), organised in collaboration with Peter Freeman, Inc., New York. Despite differences in medium and generation, both artists converge around perception and how it is shaped by technology, culture, and conditions of circulation. Flavin, a pioneer of light installation, used commercially available fluorescent lamps to redefine space; Clegg, in contrast, engages with the circulation of images in everyday life and popular culture, blending photorealistic figuration with painterly gestures. Together, they create a snapshot of the relation between humankind, technological culture and how it affects everyday life, and light. 

Thanks for reading
Collect your 5 yamos below
REDEEM YAMOS
*NEW* LONDON ART + CLIMATE WEEK